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In , his interview with American woman, Annie Murphy, who had a child with Bishop of Galway Eamonn Casey, ended very frostily. Byrne remarked that Eamonn Casey's son would be fine, if he was "half the man his father" was.

In response, Ms Murphy icily retorted: "I'm not so bad either," before she got up and walked off set. Years later, her son said he had wanted to "deck" Byrne for the way he had treated his mother.

Another notable affair of the heart to be shared with the Irish public was an interview with journalist Terry Keane in She spoke to Byrne about her long-standing relationship with former Taoiseach Irish prime minister Charles Haughey.

He went into hiding from the media as a result. It also launched Weaver's acting career, providing her with her first lead role. The story of her character 's encounters with the Alien creatures became the thematic and narrative core of the sequels Aliens , Alien 3 , and Alien Resurrection Predator films, which includes Alien vs.

Predator and Aliens vs. Predator: Requiem A prequel series includes Prometheus and Alien: Covenant , both directed by Scott.

The commercial space tug Nostromo is returning to Earth with a seven-member crew in stasis : Captain Dallas, Executive Officer Kane, Warrant Officer Ripley, Navigator Lambert, Science Officer Ash, and two engineers, Parker and Brett.

Detecting a transmission, the ship's computer, Mother, awakens the crew. As per company policy requiring any potential distress signal be investigated, they land on the moon despite Parker's protests, sustaining damage from its atmosphere and rocky landscape in the process.

The engineers stay on board to effect repairs while Dallas, Kane, and Lambert head out to investigate. They discover the signal originates from a derelict alien ship and enter it, losing communication with the Nostromo.

Ripley deciphers part of the transmission, determining it to be a warning, but cannot relay this information to those on the derelict ship. Meanwhile, Kane discovers a chamber containing hundreds of large, egg-like objects.

When he touches one, a creature springs out, breaks through his helmet, and attaches itself to his face.

Dallas and Lambert carry the unconscious Kane back to the Nostromo. As acting senior officer, Ripley refuses to let them aboard, citing quarantine regulations, but Ash overrides her decision and lets them inside.

Ash attempts to remove the creature from Kane's face, but stops when he discovers that its blood is an extremely corrosive acid.

It later detaches of its own accord and is found dead. The ship is partially repaired, and the crew continue their journey back to Earth.

Kane awakens with some memory loss, but seems to be otherwise unharmed. During a final crew meal before returning to stasis, he suddenly chokes and convulses.

A small alien creature bursts from Kane's chest, killing him, and escapes into the ship, with Ash dissuading the rest from killing it. The crew attempts to locate it with tracking devices and capture or kill it with nets, electric prods, and flamethrowers.

Brett follows the crew's cat Jones into a landing leg compartment, [21] where the now-fully-grown alien attacks Brett and disappears with his body.

After a heated discussion, the crew decide the creature must be in the air ducts. Dallas enters the ducts, intending to force the monster into an airlock, but it ambushes and kills him.

Lambert, realizing that the alien intends to aggressively kill the crew one by one, implores the others to abandon ship and escape in its small shuttle, but Ripley, now in command, explains it will not support four people and insists on continuing with Dallas' plan of flushing out the alien.

Accessing Mother, Ripley discovers Ash has been secretly ordered by the company to bring the alien back, with the crew considered expendable.

She confronts Ash, who tries to choke her to death. Parker intervenes and clubs Ash, knocking his head loose and revealing him as an android.

Ash's head is reactivated, and they learn he was assigned to ensure the creature's survival. He expresses admiration for the creature's psychology, unhindered by conscience or morality, and taunts them about their chances of survival.

Ripley cuts off his power; as they leave, Parker incinerates him. The remaining crew decides to self-destruct the Nostromo and escape in the shuttle.

However, Parker and Lambert are ambushed and killed by the creature while gathering life-support supplies. Ripley initiates the self-destruct sequence, but finds the alien blocking her path to the shuttle.

She retreats and attempts unsuccessfully to abort the self-destruct. With no further options, she makes her way to the shuttle and barely escapes as the Nostromo explodes.

As Ripley prepares for stasis, she discovers that the alien is aboard, having wedged itself into a narrow space.

She puts on a spacesuit and uses gas to flush the creature out. It approaches Ripley, but before it can attack, she opens an airlock door, almost blasting the creature into space.

It manages to hang on by gripping the frame. Ripley shoots it with a grappling hook, but the gun catches as the airlock door closes, tethering the alien to the shuttle.

It pulls itself into an engine exhaust but Ripley fires the engines, blasting the creature away into the depths of space. After recording the final log entry, she places Jones and herself into stasis for the trip back to Earth.

While studying cinema at the University of Southern California , Dan O'Bannon had made a science-fiction comedy film, Dark Star , with director John Carpenter and concept artist Ron Cobb.

O'Bannon had written 29 pages of a script titled Memory , containing what would become the opening scenes of Alien : a crew of astronauts awakens to find that their voyage has been interrupted because they are receiving a signal from a mysterious planetoid.

They investigate and their ship breaks down on the surface. O'Bannon soon accepted an offer to work on Alejandro Jodorowsky 's adaptation of Dune , a project that took him to Paris for six months.

Giger , and Jean "Moebius" Giraud. I had never seen anything that was quite as horrible and at the same time as beautiful as his work.

And so I ended up writing a script about a Giger monster. Shusett suggested that O'Bannon use one of his other film ideas, about gremlins infiltrating a B bomber during World War II , and set it on the spaceship as the second half of the story.

Shusett and he liked the new title's simplicity and its double meaning as both a noun and an adjective. In writing the script, O'Bannon drew inspiration from many previous works of science fiction and horror.

He later stated,"I didn't steal Alien from anybody. I stole it from everybody! Simak in which a crew lands on an asteroid and discovers a chamber full of eggs.

With most of the plot in place, Shusett and O'Bannon presented their script to several studios, [34] pitching it as " Jaws in space. That whole idea and scenario was theirs.

Despite these rewrites, 20th Century Fox did not express confidence in financing a science-fiction film.

However, after the success of Star Wars in , the studio's interest in the genre rose substantially. According to Carroll: "When Star Wars came out and was the extraordinary hit that it was, suddenly science fiction became the hot genre.

O'Bannon had originally assumed that he would direct Alien , but 20th Century Fox instead asked Hill to direct.

Casting calls and auditions for Alien were held in both New York City and London. They wanted the Nostromo ' s crew to resemble working astronauts in a realistic environment, a concept summarized as "truckers in space".

To assist the actors in preparing for their roles, Scott wrote several pages of backstory for each character explaining their histories. Roger Ebert notes that the actors in Alien were older than was typical in thriller films at the time, which helped make the characters more convincing:.

None of them were particularly young. Tom Skerritt, the captain, was 46, Hurt was 39 but looked older, Holm was 48, Harry Dean Stanton was 53, Yaphet Kotto was 42, and only Veronica Cartwright at 30 and Weaver at 29 were in the age range of the usual thriller cast.

David McIntee , author of Beautiful Monsters: The Unofficial and Unauthorised Guide to the Alien and Predator Films , asserts that part of the film's effectiveness in frightening viewers "comes from the fact that the audience can all identify with the characters Everyone aboard the Nostromo is a normal, everyday, working Joe just like the rest of us.

They just happen to live and work in the future. Alien was filmed over 14 weeks from July 5 to October 21, Principal photography took place at Shepperton Studios near London, while model and miniature filming was done at Bray Studios in Water Oakley , Berkshire.

A crew of over craftspeople and technicians constructed the three principal sets: the surface of the alien planetoid, and the interiors of the Nostromo and the derelict spacecraft.

Ridley Scott was not convinced that it looked large enough, so he had his two young sons and the son of Derek Vanlint the film's cinematographer stand in for the regular actors, wearing smaller space suits to make the set pieces seem larger.

The children nearly collapsed due to the heat of the suits; oxygen systems were eventually added to help the actors breathe. By removing the glycerin she was able to continue working with the cats.

Alien originally was to conclude with the destruction of the Nostromo while Ripley escapes in the shuttle Narcissus. However, Ridley Scott conceived of a "fourth act" to the film in which the Alien appears on the shuttle and Ripley is forced to confront it.

He pitched the idea to 20th Century Fox and negotiated an increase in the budget to film the scene over several extra days. Editing and postproduction work on Alien took roughly 20 weeks to complete, concluding in late-January According to Rawlings: "I think the way we did get it right was by keeping it slow, funny enough, which is completely different from what they do today.

And I think the slowness of it made the moments that you wanted people to be sort of scared And I think that's how it worked. One scene that was cut from the film occurred during Ripley's final escape from the Nostromo ; she encounters Dallas and Brett, who have been partially cocooned by the Alien.

O'Bannon had intended the scene to indicate that Brett was becoming an alien egg, while Dallas was held nearby to be implanted by the resulting facehugger.

Her trying to get the hell out of there, we're all rooting for her to get out of there, and for her to slow up and have a conversation with Dallas was not appropriate.

The musical score for Alien was composed by Jerry Goldsmith , conducted by Lionel Newman , and performed by the National Philharmonic Orchestra. Ridley Scott had originally wanted the film to be scored by Isao Tomita , but 20th Century Fox wanted a more familiar composer and Goldsmith was recommended by then-president of Fox Alan Ladd Jr.

Scott and Rawlings had also become attached to several of the musical cues they had used for the temporary score while editing the film, and re-edited some of Goldsmith's cues and rescored several sequences to match these cues and even left the temporary score in place in some parts of the finished film.

O'Bannon introduced Scott to the artwork of H. Giger; both of them felt that his painting Necronom IV was the type of representation they wanted for the film's antagonist and began asking the studio to hire him as a designer.

The scene of Kane inspecting the egg was shot in postproduction. Photo Gallery. Trailers and Videos. DID YOU KNOW?

Crazy Credits. Alternate Versions. Rate This. Episode Guide. Creator: Meg DeLoatch. Added to Watchlist. Did You Know These Celebrities Are BFFs?

Editorial Lists Related lists from IMDb editors. January TV Calendar: New and Returning Shows. July TV Calendar: New and Returning Shows.

Nathorst-Boos J, von Schoultz B, Carlstrom K. Elective ovarian removal and estrogen replacement therapy—effects on sexual life, psychological well-being and androgen status.

J Psychosom Obstet Gynaecol. Davis SR, Burger HG. Use of androgens in postmenopausal women. Curr Opin Obstet Gynecol.

Sherwin BB, Gelfand MM, Brender W. Androgen enhances sexual motivation in females: a prospective, crossover study of sex steroid administration in the surgical menopause.

Psychosom Med. Bagatell CJ, Bremner WJ. Androgens in men—uses and abuses. N Engl J Med. Heiman JR, Meston CM. Evaluating sexual dysfunction in women.

Clin Obstet Gynecol. Miller NS, Gold MS. The human sexual response and alcohol and drugs. J Subst Abuse Treat.

Lane RM. A critical review of selective serotonin reuptake inhibitor-related sexual dysfunction; incidence, possible aetiology and implications for management.

J Psychopharmacol. Antidepressant-induced sexual dysfunction. J Clin Psychiatry. Michael A, Herrod JJ. Citalopram-induced decreased libido [Letter].

Harrison WM, Rabkin JG, Ehrhardt AA, Stewart JW, McGrath PJ, Ross D, et al. Effects of antidepressant medication on sexual function: a controlled study.

J Clin Psychopharmacol. Harvey KV, Balon R. Clinical implications of antidepressant drug effects on sexual function.

Ann Clin Psychiatry. Benazzi F, Mazzoli M.

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Tojarg · 12.11.2020 um 08:55

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